Tuesday, December 01, 2020
Dumb Science Fiction Part 2: Aliens are Stealing Our Women! And Water! Or Whatever!
Monday, November 30, 2020
Dumb Science Fiction Part 1: Robots
I say this only because I'm a serious fan of the genre: A lot of science fiction is just dumb as hell.
I've got a long list if impossible or impractical technologies and tropes that I see again and again in science fiction, to the point that these dumb ideas aren't some rare aberration in the genre, but defining characteristics. The list is pretty long. Human-like aliens. Time travel. Faster than light travel. Settlements on biologically active alien worlds. Most teleportation. Telepathy, telekinesis, and other psychic phenomena. My subject for today's rant?
Robots.
First, robots should be a science fiction success story. Predicted over a century ago, they've been integrated into every aspect of our lives. They are in our homes, our workplaces, our grocery stores, and our driveways. A robot is simply a machine capable of carrying out a series of complex actions automatically. A drive through carwash is a robot (or series of robots working together). Your Roomba is a robot. My wife's car is part robot. It can adjust its speed automatically based on sensors detecting the speed of the car in front of it. If she strays over a yellow line, the car will automatically nudge itself back between the lines. This sort of automated task that can be done without human guidance beyond the initial programming, and repeated again and again, is the defining quality of a robot.
Of course, not everyone agrees with this definition. Webster's has "device that automatically performs complicated tasks" as it's second definition. The first definition is "a machine that resembles a living creature." This is the legacy of science fiction. A century ago, scientists had visions of automated machines doing labor. Writers heard this idea, and since the main thing they knew about labor was that it was performed by humans, they imagined these machines doing human labor as naturally looking like humans themselves. They'd need eyes, ears, mouths, hands, legs, and all the other natural tools of humans. I've got a lot of appreciation for old science fiction and their visions of artificial men. They were working in a realm of pure ideas, with no actual first hand experience with robots.
But, it's one thing to write about the artificial men of the future in 1920. To still be writing about them in 2020 requires an almost willful blindness to the actual history of robots. We've been interacting with Automated Tellers since the 70s. Factories have had robots building everything including other robots just a long. We've been exploring Mars via robot for decades. None of these robots look like us.
In science fiction, you still see humanoid robots who have jobs driving your car or cleaning your house or solving crimes. And robots actually do these jobs, but there is zero reason to build a fake human to perform these functions. It all comes down to engineering. A good machine is a machine has only the parts required to function properly, and nothing more. A human body is an embarrassing collection of utterly unnecessary parts for most tasks. I need my hands to type. My legs, meanwhile, are just useless meat while I'm working on this post, consuming calories just to stay alive, on standby until I need them for something else. If you were to build a typing robot, why give it legs?
Of course, typing is just a method for translating thoughts to words. Why bother even building a robot with fingers to accomplish that goal? If I want to send a text but my hands are full, I don't need to speak to a humanoid robot that's going to use it's artificial fingers to type the message for me. My phone will just translate my spoken words into written language and send the message.
Fifty years ago, if I were a science fiction author imagining a robot replacement for a radio DJ, I might have plausibly imagined a mechanical man who fingered through albums, pulled records from sleeves, and manually placed them onto turntables. Even though, if I'd walked into any diner, I could have seen a jukebox performing all these actions without resembling a human being at all. Today, the machine that serves the same function doesn't even require moving parts. I just tell my smart speaker to play something I might like, and the music plays.
Building humanlike robots as some sort of all general purpose extra human is a terrible engineering solution for nearly any imaginable task. Sadly, we're never going to pal around with Bender, Data, and Optimus Prime.
Except, now that I've argued how dumb the idea is, there are some reasons we might still have robotic best friends in the future. The first, most obvious path to their adoption is that children play with dolls, and dolls that talk and move and replicate human functions like feeding and even pooping are valuable commodities. Especially if we face future pandemics, and parents come to fear that their children interacting with other children is a death sentence, you could find a market for dolls that exist to be your child's best friend. And, it's possible that children who socialize with lifelike dolls grow into adults who still desire the company of lifelike dolls.
Which tiptoes toward the uncomfortable reality that the industry where people are putting the most effort into building lifelike human replicas is probably the sex industry. Bender might not be a plausible robot, but Futurama might yet be right about humans having romantic relationships with mass produced celebrity replicas.
And, as long as we're going to be accepting that some people might enjoy the company of robots, there's also the sad truth that we might build robots to be companions for people that other people don't want to spend a lot of time with, like the elderly.
Finally, I'm sure someone has already thought of one more exception, which is that just about everyday there's some news story about a robot being built so life like it can have a career as an actor or as a receptionist in an office building. Don't be fooled. No one is building robots to be actors. Why film a robot to project an image onscreen when you can just create the same image on screen digitally? No one is really needing a robot for a receptionist, either, any more than you need a humanoid robot sitting at a kiosk inside a bank to help you withdraw money from your account. The job of a robot actor or robot receptionist isn't acting or recepting, it's hoodwinking. It's something flashy that gets a company into the news and gets investors' excited about putting their money into a company building the future.
There. I've made my case. Filling your science fiction with robots is dumb. Glad that's off my chest, and looking forward to humanoid robots no longer appearing in science fiction starting tomorrow!
PS: Before anyone points this out, yes, indeed, there are humanoid robots in some of my science fiction. What can I say? If I were immune to the appeal of dumb ideas, I wouldn't have decided to make a living as a writer in the first place!
Tuesday, September 01, 2020
From Couch to 1000k
Chalk art in the tunnel beneath Yates Store Road on the ATT. |
As I wrote it, I thought, who am I kidding? And, if I did exercise, I was imaging it would mostly be in an air-conditioned gym on a treadmill. I recall that summer biking from Herndon Park to O'Kelly Chapel Road and back. This is a four mile round trip and I had to push my bike on the last quarter mile. I was drenched in sweat and wondering just how anyone could enjoy biking in the summer. Nor did it seem like biking in winter would be any fun, and of course it rains all spring. Maybe biking was something I might do a few times a year during four or five nice weeks in the fall.
The one problem with gym treadmills was that Cheryl had introduced me to an app called Endomondo that tracks exercise via GPS. You actually have to be outside moving for the exercise to count. And, on a treadmill, it's really easy to stop after ten or twenty minutes. Outside, if you walk a mile up a trail, you've got to turn around a walk a mile back. You can't stop just because you feel like stopping. By March of 2013, I managed to log 57 miles of walking in a month!
In April of 2013, Cheryl and I got back on our bikes. We only did one ride that month, but it was 13.4 miles, all the way from Herndon Park to the White Oak Trail Head and back. And we did it in under 2 hours! In May, we did more rides, including one that was 24 miles, an unbelievable distance only a year before.
We kept biking similar distances through the summer. We slacked off once winter arrived, but I was turning fifty March 2, 2014 and wondered: Could I ride a full 50 miles on my 50th birthday? Yes. Totally. It was a real test of will around mile 30, when my butt was sore from sitting so long on my bike, my hands were getting numb, and my legs were getting rubbery. But doing this ride was a breakthrough. I think, until this point, biking had been exercise. But, once you discover you can sit on a bike for six hours of forward motion, the world opens up, and biking becomes a way of exploring the world.
We started travelling, riding trails throughout NC, in Virginia, SC, Maryland, West Virginia, Tennessee, Louisiana and Kentucky. We've got Georgia, Alabama, and Mississippi on our to do list, and are eyeing trails in Pennsylvania, Ohio, and New York. One day we want to ride every open segment of the Great American Rail Trail. Biking isn't a chore. It's not even a habit. It's part of our life and our identity now.
The things I thought of as barriers to biking have transitioned into rewards. We bike year round. The 90 degree heat of North Carolina summers doesn't imprison us on our couches. Once you're sweating, as long as you keep moving forward on a bike, you've got natural air conditioning. You don't really feel the heat until you stop for a break. Hydrate, wear sunscreen, and push on. If we're really lucky, we might get rained on. Riding through cool rain on a hot July afternoon is simply marvelous.
Each year, we've pushed a little further than the year before. Even when Cheryl dealt with cancer, then knee surgery, she always managed to bike a bit more as she recovered. A few years ago, we managed to to cover 300 miles in a single month! Last year, I was able to average 200 miles a month to reach 2400 miles logged for the year. I mean, it would be hard to top that, right? What was I going to do? Start biking 400 miles a month? 500? I spent most weekends at comic book conventions, selling my books. There were practical limits to how much time I could spend on a bike, right?
Then Covid-19 shut down conventions and opened up my weekends. At the beginning of June, I thought, this is it. I'm going to log 500 miles this month. I didn't make it. I know I said a few paragraphs back that it's pleasant to ride in summer rain, but that's only true if you're already biking when the rain hits. Starting out in the rain is something only crazy people do. And it rained a lot in June in the evening hours when Cheryl was getting off work, thwarting ride after ride. So, I only made it to 400 miles that month, which was still a record I was proud of.
I really didn't even try for 500 in July. Despite saying that heat isn't a reason to stay off your bike, mid-afternoons in July in NC are brutal. You can still grab miles in the morning, and we did some after dark rides vial flashlight to beat the heat and lot 379 miles, which is the second longest distance I've ridden in a month.
Then came August. Ever since I've lived in North Carolina, if we're going to have a truly unbearable heat wave with days topping out above 100 degrees, it's going to hit in August. But, this August we lucked out. It was hot and muggy, but most days topped out near 90, which, on a shady trail like the ATT, is perfectly fine biking weather. I got off to a good start, logging almost 200 miles in the first ten days of the month. Reaching 500 was in my grasp if the weather held out.
It held out. Cheryl had taken off Monday, August 24 with the goal that we would attempt a century ride that day, which is 100 miles. The weather was glorious. It rained most of the morning, a light drizzle that kept us cool and kept other riders off the trail. We finished with a little daylight left, and me just shy of my 500 mile goal. And I still had a week left to ride!
So, I rode. Could I make it to 600? Sure. That's where I was sitting yesterday, as I met Cheryl after work. Remember how I said only crazy people would begin their ride in the rain, especially if there was thunder? It was raining when we started our ride, and raining when we finished, and for the miles where we weren't actively rained on, we were staring at ugly, ugly storm clouds churning on the horizon. Our phones started blaring weather alerts warning us of flash-floods. We slogged on. Cheryl knew that at the end of the ride, she'd be at 550 miles for the month, and wanted that 50 mile milestone. Never underestimate the power of a pleasing number for motivation.
I was also aiming for a nice round number. I rolled into the parking lot having covered slightly more than 621 miles in a single month. 621 might not strike the average person as a round number, but for the nerds among you, you no doubt instantly translated that into 1000 kilometers.
As I was riding uphill yesterday toward Herndon Park in the driving rain, I was thinking a lot about the ride in 2012 where I'd needed to push my bike up that same hill. I was eight years older on this ride, but felt twenty years younger. I'd gone from August spent sitting on a couch to an August where I spent over 70 hours sitting on a bike.
I'm so, so unbelievably grateful to 2012 James Maxey and his four mile ride. I owe a great debt to the James Maxey who walked 57 miles in March 2013. Those were the first steps on the journey to my current self. Hopefully, 2028 James Maxey will look back on the person I am now and see my 1000k month as the beginning of an even grander adventure.
Of course, I haven't made this journey alone. One big reason, probably the main reason, that I've kept moving forward is because of Cheryl. She's had far more serious health struggles than I've dealt with, and shown a level of grit that I suspect surprises even her. If anything, she's even more obsessed with pushing us a little further than I am. I tend to get in more miles than she does, but I work from home and she still has a full time job. When I see her cover 550 miles in a month while working full time, I can't help but think if she had an extra 40 hours a week she'd probably have us aiming for 1000 miles in a month. Last night, when she pulled into the parking lot where we met after work, rain was spattering her windshield. We huddled over over her phone, looking at the weather radar. Dark red storm cells danced all around us, but a thin band of light green rain covered the first three or four miles the trail we'd ride. Maybe the weather would clear as we rode? Or, maybe it would get worse. We'd both already gone well past our original monthly goal of 500 miles. If we skipped biking and went and celebrated our great month with some well earned pizza, no one would blame us.
Cheryl got out of her car, unloaded her bike and together we rode toward the storm, already soaked, feeling a little crazy, and grinning ear to ear.
Thursday, July 30, 2020
Struggling with the Whiteness of Classic Literature
These problems disturb me, but when I start groping about for solutions, it gets difficult to think of any remedy for discrimination that doesn't turn into more discrimination. When it comes to neighborhoods being gentrification, what would a viable solution be? Ban white people from owning property in certain areas? Require neighborhood quotas? I'm not worried about the ramification of "reverse discrimination." But what would happen to the property values of black people if you legally excluded half of the population from bidding on their homes?
There is, however, one problematic area where I do think there's a solution. There's no question that there are different educational outcomes between black and white students. If you're white in America and enjoy reading novels, you're in luck. You've got centuries worth of literature written by white authors who assumed they were going to be read by white readers, even if they weren't consciously aware of this. An author like Jane Austen was writing about the mating rituals of a white elite. Black people simply aren't part of the picture. A great deal of literature fits in this box. From War and Peace to the Wizard of Oz, there's a nearly infinite well of books that feature white protagonists and never give a second thought that other races exist. If you're a white child reading these books, the whiteness of the protagonists never even crosses your mind. But if you were a Black child, you probably notice at a fairly early age that all the heroes in older books are white.
And God help you if you're a Black child and your class reads a "classic" that actually contains Black characters. Edgar Alan Poe is a great and important writer, but his portrayal of a Black servant in "The Gold Bug" is cringeworthy. He's shown as a comic figure, mangling the language, and too stupid to know his right hand from his left. (Literally. This is a plot point, that they initially fail to find the treasure because the black character couldn't tell right from left.) On the other hand, Poe practically invented the short story, and was a great influence n horror, science fiction, and detective stories. Leaving him out of the broader literary cannon would be like trying to study biology without any reference to Darwin.
Mark Twain wrote a powerful book with an anti-racist theme in Huckleberry Finn. Yet, his primary Black character mangles the language, believes in superstitious mysticism, and makes stupid choices again and again. In fairness, so does the white protagonist, Huckleberry. I can't believe that, if I were a young, black reader, I'd take comfort in this. Especially if white classmates were reading it, I'd imagine slogging through this book would be agony.
In book after book, when black characters appear, they are poor, stupid, or immoral. I'm currently rereading Look Homeward Angel. The "n-word" gets thrown around casually and frequently. In the section I'm currently reading, the minor Black characters that appear are mostly servants and maids, and the author mentions the way they smell numerous times. I don't think that Thomas Wolfe was writing from a position of overt racism. I think he was primarily recording the world he lived in, and reporting the racism because it would have been dishonest to pretend it didn't exist. His characters are racists for the same honest reason that some of his characters are abusive drunks.
In the book club I'm part of, First Monday Classics, we try to include books by black authors. But since a sizable chunk of the books we focus on predate the 20th century, a lot of black authors from that era are understandably focused on slavery. White authors were free to write about anything they wished. King Author! Trips to the Moon! Cowboys! Treasure! Romance! But if you were a Black author, pretty much you write about slavery. It's possible that slavery was such a vast psychic scar that Black authors simply had to grapple with it in their writing. But I also wonder if this mono-subject was the product of white readers, who only bothered to pick up books by black authors of the era if they are going to be about slavery and racism, since these are the only subject matters they thought that Black authors could speak to authoritatively. White readers simply didn't care what Black authors might have had to say about love or family or nature or God. (I'm not certain this is very much different today.)
Yet, despite the lack of diversity, I find great value in old literature. Old books are a kind of time travel. They let you see the world as it was through the casual observations of writers who might not have even been aware of what it was that they were recording. Poe never intended to document the naked, unblemished racism of his day, which makes it all the more illuminating and instructive. I encounter people on social media who claim that today is the worst time in American history, that our politics are terrible, that we're more racist, sexist, and class divided than ever before. This seems as willfully blind to reality as those who pretend that everything's fine. Books like The Jungle or Grapes of Wrath remind the reader that, as rough as things can seem now, we've dealt with worse problems in the past and turned the dial at least a little toward a fairer, more just world. If you don't grasp the past, you'll be utterly baffled by the present.
To quote Look Homeward Angel, each and every one of us is born upon the "spearpoint of history," feeling that we're the culmination of history, not quite grasping that we're still collectively writing the opening pages of the story of mankind.
Still, as much as I love old books, wow, I wish that the "classics" weren't so overwhelmingly white.
I think I know one source of the problem. It could be changed tomorrow by an act of congress, but it won't be, so I'm not under the illusion that identifying the problem is going to lead to a fix. But, one reason the cannon of literary classics is so stubbornly white is copyright laws. There's a reason some classic novels stay in print for centuries. There's a reason I can walk into any bookstore in America and pick up a book by Jane Austen. Older books are part of the public domain. Any publisher can reproduce them and not pay royalties. Free material equals bigger profits! There's a financial incentive to keep classic literature in the hands of readers.
Copyright exists to protect creators, and ensure that they alone earn revenue from their creations. But, this used to be a fairly limited window of time. Copyright lasted decades. Then, in 1928, Micky Mouse entered the world. Since then, copyright law has been distorted, extended again and again, so that most work created from the 1920s is still covered by copyright.
The unintended effect is to create a sort of literary dead zone. Books written before the 1920s are relatively easy to find. Even if they are obscure, someone somewhere has scanned them in and made them available online. This creates a vast library of freely available works... from an era when Blacks were extremely limited in their access to publishing, and restricted in the subject matter of what they could write about.
But the 1920s saw the Harlem Renaissance. It saw an explosion in black authors, and some of these authors, like Langston Hughes, are still in print. Others fell out of print, and current law makes it difficult to put them back into the literary cannon. We're talking about authors who might be dead for fifty, sixty, or seventy years. Legally, to republish their work, you'd need to track down every family member who might own part of an author's estate. This is a tremendous barrier to rerelease an obscure book that might sell a few hundred copies. Since no one can republish these works, few scholars write about them. Why study an author that no one else can read unless they are willing to dig through antique stores searching for crumbling copies of long forgotten books?
To protect a mouse, we've condemned thousands of authors from one of the most exciting eras in American life to invisibility and obscurity. If a book was written in 1935, and had fallen out of print and can't legally be reprinted, did it ever really exist?
I honestly don't think many authors would suffer if copyright laws protected work for their lifetime, plus maybe twenty years. If this change was made, I suspect that a huge trove of older novels by Black authors would enter the public domain. Books that haven't seen print in decades would suddenly be available as free downloads online. The best of these would soon appear as prestige, scholarly print editions accompanied by literary criticism. It's true that there would also be white authors entering the public domain, but so what? There are likely underrepresented voices there as well.
I know this seems trivial, like I'm throwing a teacup of water at a bonfire and expecting that it will do anything at all. But I can't help but think that the horrible racial imbalance in public domain books is one element in the disparities in education. White children have a vast library of public domain stories where white heroes do any number of wonderful things. Black children have a public domain of slave narratives and white authors who treat their black characters like dolts or kindly pets or exotic savages. Both races have equal access to the great library of mankind, but one race has their story told as a rich tapestry of heroes, and the other has an unending list of insulting stereotypes and nakedly offensive language, when they are depicted at all.
Old literature is an ongoing conversation, the way the past speaks to the future. What we write to day answers this, and gets passed on to the future. We can't change what these old voices said, but we could, with a simple change of copyright law, bring more voices into the conversation.